The panel will examine colonial expectations that “traditional” and “authentic” Native American jewelry must be made exclusively by hand. Indigenous artists have long adapted new techniques, developed their own tools, and embraced unconventional materials while carrying forward Indigenous design languages and cultural knowledge. This conversation will explore that living, evolving practice, considering how ancestral knowledge and innovation inform contemporary jewelry.
Join Mahnaz Collection for an exhibition of our latest acquisitions of Native Indigenous jewelry. Featuring approximately one hundred pieces, the exhibition brings together historically significant jewelry and work by a new generation of artists, highlighting the breadth and continuing evolution of Native American jewelry.
Discover works by influential master jewelers alongside accessible contemporary designs that have drawn the attention of the press, designers, and collectors. Together, these pieces celebrate the exceptional artistry, innovation, and enduring significance of Indigenous adornment.
Accompanied by a two-day exhibition, open November 19th - 20th from 12-6pm, featuring latest acquisitions of Native Indigenous jewelry. Featuring approximately one hundred pieces, the exhibition brings together historically significant jewelry and work by a new generation of artists, highlighting the breadth and continuing evolution of Native American jewelry.
Panel Contributors
Amber-Dawn Bear Robe, Siksika fashion curator, Assistant Professor of Native & Indigenous Art History and Material Culture at The New School.
Pat Pruitt, Metalsmith of Laguna Pueblo, Chiricahua Apache, and Anglo descent, brings industrial materials and advanced fabrication techniques to contemporary adornment. Working with stainless steel, titanium, and zirconium, he explores the possibilities of innovative materials and design
Jennifer Younger, a Tlingit jewelry artist, creates contemporary interpretations of Tlingit form line and develops specialized tools for hand engraving. Her practice brings experimentation and technical skill into dialogue with Indigenous design knowledge.
